In this sense, by capturing these landscapes with handcrafted negative clay-made films, the subject becomes the object as a substantial fragment of reality. This project was also the opportunity to dare and invent new sensitive explorations by using pigments made out of their soils to print these visual explorations. Due to its handcrafted approach and affinity with the light-sensitive photographic process, the denomination 'Terragraphy' has been invented in order to describe this empirical practice that reveals each framed landscape through his own materiality. These visual creations tend to go beyond their representative function, to become a creative form of communication that appeals to an autonomous interpretation allowing a sensitisation to pionniers sustainable practices.