Personal projects
Terragraphy
Geocracy
Architecture










As an immersion in the construction landscape, this project invites to investigate the manufactured territory and to question ourselves on the future of the architectural world through the subject of the materials, their origins, their reuse and their environmental impact. Focused on the earth, this project explores more precisely the various potentials of this local raw substance available in large quantity in the constructions sites. Inspired by Lavoisier’s idea that “Nothing is lost, nothing is created, everything is transformed”, this research proposes to enhance and value this material as a living and creative body. In this sense, by capturing these landscapes with handcrafted negative clay-made films, the subject becomes the object as a substantial fragment of reality.
2021
In collaboration with Thomas Noceto
This project was also the opportunity to dare and invent new sensitive explorations by using pigments made out of their soils to print these visual explorations. Due to its handcrafted approach and affinity with the light-sensitive photographic process, the denomination 'Terragraphy' has been invented in order to describe this empirical practice that reveals each framed landscape through his own materiality. These visual creations tend to go beyond their representative function, to become a creative form of communication that appeals to an autonomous interpretation allowing a sensitisation to architectural pionniers practices.










As an immersion in the construction landscape, this project invites to investigate the manufactured territory and to question ourselves on the future of the architectural world through the subject of the materials, their origins, their reuse and their environmental impact. Focused on the earth, this project explores more precisely the various potentials of this local raw substance available in large quantity in the constructions sites. Inspired by Lavoisier’s idea that “Nothing is lost, nothing is created, everything is transformed”, this research proposes to enhance and value this material as a living and creative body. In this sense, by capturing these landscapes with handcrafted negative clay-made films, the subject becomes the object as a substantial fragment of reality.
2021
(In progress)
In collaboration with Thomas Noceto
This project was also the opportunity to dare and invent new sensitive explorations by using pigments made out of their soils to print these visual explorations. Due to its handcrafted approach and affinity with the light-sensitive photographic process, the denomination 'Terragraphy' has been invented in order to describe this empirical practice that reveals each framed landscape through his own materiality. These visual creations tend to go beyond their representative function, to become a creative form of communication that appeals to an autonomous interpretation allowing a sensitisation to architectural pionniers practices.